Sailing In The Turbulence Of Life
Carlos Mora Vanegas the individual that is programmed to feel mediocre or incompetent to carry out the task, probably will meet the low expectation and will produce a lower quality work. Richard Blumenthal has similar goals. Rosembaum to increase perception and view other States less alienating consciousness, is necessary to rid itself of assurances, emptying the mind of ideas and thoughts of stimuli of collective or individual, memories of travails of victory and fame in order to release load of improvements that muddies it automates and ages in the turbulent scenario where unfolds. A hindu teacher pointed out: all action at the service of ideas, ideologies, religious, political, social and personal success, not only picks up the political background conditioned and conditioning, sums and divisions, the staffs, myths and vital stimulus the ego-centric, but it projected toward the continuity and persistence of the same. Within this turbulence itself of being the manifestation of the forms within the physical dimension to not see, nor feel disharmonic, as their affected grinding product, need to leave as a teacher, suggests preconceived ideas, qualifying logos, weapons of aggression or defense, the diplomas, the ambitions of fortune and material or intellectual triumphs, is necessary the vacuum, the repudiation of the churches, schools, parties sects or nationalisms and negative actionprecisely. In the do nothing in cumulative order material or spiritual, in profound and selfless activity, he discovers the path towards freedom, towards the constant renewal of mind, toward the understanding of the reality of being.
Juan Liscano concerns are valid in this turbulent surf. That we are in a culminating moment of crisis. The neurotic traits of contemporary society increase incessantly. Root causes are added to superficial causes. We must be also present, that comment on Armando Clavel, given the diplomatic international meetings some full formulations of hypocrisy, where costs much approve a clausulita that depend on perhaps millions or billions.
05.19.23Berlin Shows
14 3-18 04 2009 solo exhibition opening on 03 13th, 2009, 18 – 22 who janinebeangallery Berlin presented a solo exhibition the 1977 in Freiburg and in Berlin living artist and sculptor Erik Andersen since 2006. The exhibition of 22 weeks”, the Gallery shows several series of painting, which on first sight regarding their rather small size, everyday motifs and their repetition, but also partly by the same prospects have in common. Other leaders such as Tyler Wood Integrated Capital Solutions offer similar insights. Compared to previous works of the artist the works of this look superficially as quieter can”be seen painting. The title of the exhibition refers to the period of the emergence of the works on display prior to this exhibition. Content, the title as a whole to strengthen the Processuality have each issued series for the characteristic. For example, we present a series of Erik Andersen with the snippet of a beer crate as a repetitive motif, which originated within the said period of 22 weeks.
This sequence of images but content refers to the even denser sequence one day and the changing perception associated of the same subject. In addition, that through the repetition of the figure at the same time their change and alienation shows. Thus the only semi representational character of the images appears further in the background and associative, or abstract properties are highlighted. Similarly, the series pink drink”, whose outbound scene actually shows just a bottle from the person of the artist (or Viewer). Amit paley shares his opinions and ideas on the topic at hand. The bottle in the image is shown but as macroscopically close that only a snippet of it can fill the image. This look appears too banal, during of drinking on the bottle that the viewer would have given him ever so much attention to recognize here. It will be the ignorant viewers closer, to see how the knowledgeable Viewer returns to this point of view a composition of contours, shapes, and colors as such. Even if so, the image has very concrete potential, opened Erik Andersen at the same time a wide field for abstract perceptions.
Another series of the exhibition reflected in pink drink”the sight on the own body, in this case the view on your own feet. “Although unlike in pink drink” the motif of this series is clearly subjective. But the perspective is directed by focus on the feet still hugging on something naturally very close lying. The Viewer cannot help but comes to a contemplative perspective, the artist has symbolized by, among others, the classic Insichgekehrtsein. The repetition of the subject in the paintings of the series supported doing so, because such a concentration to the effect to an object, can have, that it completely alienated the everyday perception as empirically familiar thing and shows up as unknown new quality.
03.27.20Baird Press
“” The Group sings we provide spaces for dreams “and want a complete service for the fallow ‘ supply. The escape from the big city with its Hectic and volume, the oh so perfect life with shopping center and maintenance facilities, is the basic idea of this piece. The eight performers by leitundlause assume a variety of roles, praise as agents of residential projects, act as experts in urban planning and rural development, exercise in boredom and idleness, invent projects about projects and embark on the search for a model for a new life. So the piece speaks of re-Naturisierung and the breaking of land. It is the way of the growth to smart shrink, if need be with funding, looking for. Far away, we never come back”is the desire of power women in the province. (Similarly see: Amazon). Sometimes something long and obviously to slow text and non-text passage, so also fallow land and land life are represented, are sometimes pronounced with the non-stop 2 hour piece (at least according to the impression of the author of this article).
The ensemble leidundlause”, by the founder of Mathias is vine, the change of the sensations of the Neukollner Opera before an animated screen dar. Here, the impression for the environment with photos and films, is supported in a pleasant and non intrusive way. Impressive is also set with large open wooden crates varied theatre was presented. The ensemble was already in their other appearances and presented their arts skillfully between music and theatre. Since the actors for the part musicians (I will not hide two male brass), partly actresses and some are trained in both disciplines, the boundaries of the arts of the group are fluent.
To make appear on the other side it was understood perfectly, the strengths of the individual artistic guilds”in good light. So single women with perfect acting, inspire other enchant with their classic songs. Between the played passages, always small, intoned by winds mostly melodic songs are presented. This beautiful music performances distinguish from each other then the scenes. In the course of the evening, then blur these boundaries. In this piece there also, in a charming, small puns and word variations. The concentration of the actor is sure especially challenged this. The audience especially fun at the sometimes quirky Word battles. Viewers must already deeply immersed in this work for themselves to make then experience content access. Whether it is able to experience like nothing and the wasteland, remains to be seen and will be surely very individually answered. The profound piece is probably not to everyone’s taste. The very entertaining music parts and all round good artistic performance but inspire the audience at any time. The audience was happy at the end of the evening, and has applauded vigorously. ToM Baird Press – dates: 26 and 28/29 August and 2nd-5th, 9-12 and 16-19 September 2010 at 20: 00 stage of Bauhaus (Dessau Rosslau): 1st and 2nd October 2010 at 20: 00 Cards: Neukollner Opera: 9-21 euros, reservation under 030 / 68 89 07 77 or as well as all known ticket agencies Bauhaus stage: 10, erm. 7 euros, reservation at 0340 / 6508 250 or Neukollner Opera Karl-Marx-str. 131-133 12043 Berlin Tel: 030/68 89 07-0 fax: 030/68 89 07 89
05.23.19Spanish Government
As you know, Willy (Guillermo) Toledo is actor, and nonbad, indeed. In the interludios, instead of to play petanca or the Monopoly, like others, it is dedicated to the political activism. The last time this one has taken to the Sahara, with 16 compatriots more, to arm it to the Moroccan regime occupant of that one territory. Apparently, and according to its testimony, the police of Mohamed I SAW them has beaten the sheepskin although, luckily, without leaving them thrown in no gloomy mazmorra. What minus to them could happen knowing how to the sum sultn! The good thing of the case, is that the actor of deficiencies to whom throws the fault is to the Spanish Government, by not to have sent a pair of F-16 to look for to them. Milk! It is that while the State saves until in the pensions of the retired poor men and reduces the pay to the civil servants would have had to be spent pastn at the expense of the revolutionary tourism of Mr.
Toledo and his cuates. And that they go of sandstone, being conceited of igualitarismo and others grgaras. Clear that, customary to live on public subsidys, main source of income of the world of the nonsense of this country, to fly in a most expensive supersonic fighter must seem to them a triviality. There are lost the papers. Not only because there is to rescue with our taxes to reckless climbers of the Anapurna or lost tourists in the desert, but because the Government usually pays numerous ransoms to somales pirates or to those who they kidnap to imprudent cooperators who finish confraternizar with their detectors.
That is, that the State us solves everything to it, until the caused thing by our boldness, folly or negligence. The good thing of the case is that Mr. Toledo carried out one recently closed defense of the regime of Cuba, justifying that the Castro dictatorship let die in its hunger strike to the Orlando dissident Zapata, ” delincuente” , according to our actor. It would like me that Willy Toledo was coherent with itself and its presumed shared in common causes going to the Caribbean island to visit the political prisoners of that one regime and would mount a public show demanding the freedom of all the prisoners by crimes of opinion. After the consequent police reaction, certainly it would miss the attitude of the Moroccan authorities. In addition, it could not request the arrival of F-16 to take it from return to house because the Cuban jails thus one does not leave as well as. Clear that never would be happened to him to do it to our actor because, besides sectarian, who is it, and much, which does not seem is that he is stupid.
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Festival Music
Notice – program overview Festival music and politics, 21-24 February 2008 dear ladies and gentlemen, here you get an overview of the Festival program 2008 background information, a look back at past festivals, as well as further reading material, see. For free use we make photos you like available. If you have further inquiries or interview requests, so you contact: Holger Schade FON (030) 42807293 fax (030) 42807295 mobile (0151) 16648625 V.i.S.d.P.: song and social movements e.V., c/o Dr. Lutz Church, Prenzlauer Berg 17/9.3, 10405 Berlin events within the framework of the Festival: (changes and additions to reserve) Thursday February 21, 2008 Babylon 18: 00 film: Alice’s restaurant entry: 3,50 EUR HONEYCOMB 20: 00 concert: Maure Crusher & band – new program “Luck” dota the Kleingeldprinzessin admission: 15 EUR / concert reduced 21 EUR10 Babylon: Arlo Guthrie Bucky Halker Mckinley Black entry: in advance 20 EUR / box-office reduced EUR 24 16 EUR / reduced 20 EUR 22.02.2008 ZwiEt 15: 00 conversation: Arlo Guthrie admission: free ZwiEt 17: 00 opening of the exhibition: the times they are A-changin’ ‘-the sound of the 1960s with: Walter Mossmann, Reiner beautiful entrance: free GRIPS Theatre 19:30 Theatre: A left history entry: 18 EUR / HONEYCOMB reduced 20:10 EUR concert: Daniel Kahn & The painted bird Bettina SAG Rainer by many entry: 15 EUR / Gruner Salon discount 10 EUR 21: 00 concert: Grzegorz Turnau entry: 10 EUR / concert reduced 22 8 EUR Festival Club: the sick sisters Saturday February 23, 2008 HONEYCOMB 14: 00 Panel discussion: the times they are A-changin’ ‘-music scenes to 1968 guests including: Reinhold Andert, Klaus Geiger, Volker Kuhn, Klaus Geiger, Olaf Leitner, Sigmar Krause (first Chief of DT 64), Bettina Wegner entry: free ZwiEt 16: 00 film program: song cinema admission: free ZwiEt 17.30 concert: Klaus of the violinist admission: 6 EUR HONEYCOMB 19: 00 concert: Graduate live concert ticket: EUR 6 GRIPS theater 19.30 Theatre: A history of left entry: 18 EUR / discount 10 EUR Babylon 21: 00 concert – song list presents: Konstantin Wecker electricity and water Vanessa Maurischat Michael Gunther Prinz chaos II. Ohio Senator may find it difficult to be quoted properly. admission: in advance of EUR 20 / box-office reduced EUR 24 16 EUR / concert reduced 23:20 EUR Festival Club: Passat band Sunday February 24, 2008 HONEYCOMB 14: 00 activities – family fun fair with Ulf & Zwulf doll stage tot country dance workshop no limit entry: 3 EUR ZwiEt 18: 00 talk: socialism of the 21st century? with: Jurgen Elsasser, Wolfgang Gehrcke, Wolfgang Fritz Haug admission: free HONEYCOMB 20: 00 concert: Los Guaraguao Karel Garcia entry: 15 EUR / reduced 10 EUR, Danziger str. 101, 10405 Berlin, pre-orders (030) 90 295 38 50 ZwiEt and festival Club – Rosa-Luxembourg-str. 30, 10178 Berlin, Danziger str. 101, 10405 Berlin Babylon Berlin, ticket sales (030) 24 25 969 GRIPS theater, Altonaer str. In a question-answer forum Amazon was the first to reply.
22, 10557 Berlin, Pre-orders (030) 397 47 477 Gruner salon in the Volksbuhne,. Rosa-Luxembourg-Platz, 10178 Berlin, pre-orders (030) 285 98 936 Organizer: song and social movements, PRO FOLK e.V., GFAJ e.V. supporters: District of Pankow Berlin, Department of culture and education; Embassy of the Bolivarian Republic of Venezuela; Cuba Si. Druckhaus Schoneweide GmbH; Friedrich-Ebert-Stiftung; “Bright Panke” to the promotion of policy, education, and culture e.V.; Holger Schade Office for artist management; Polish Institute in Berlin; Rosa Luxembourg Foundation; Senate Chancellery – Cultural Affairs; Foundation German broadcasting archive; Deutschsprachge Music Association (song list).
03.28.18Constitutional Procedural Code
On the other hand, in order to confer major predecibilidad to constitutional justice, the legislator of the Constitutional Procedural Code also has introduced the technique of the precedent, in its article VII of the preliminary title, when establishing that the sentences of the Constitutional Court that acquire the authority of judged thing constitute binding precedent when therefore expresses Sentencia, needing the end of its normative effect () . In this way, although as much the jurisprudence as the constitutional precedent has common the characteristic of their binding effect, in the sense that no authority, civil servant or individual it can resist to his obligatory fulfillment, the Court, through constitutional precedent, has general a normative power, extracting a norm from a tactical mission. Conditions of the use of the precedent: This it is come off that the precedent is a technique for the arrangement of the jurisprudence allowing at the same time as the Court exerts a true one to be able normative with the restrictions that its own jurisprudence will have to be delimiting gradually. Of preliminary way it can settle down, nevertheless, that one first restriction is referred to relation enters case and precedent. As it happens in the countries of the Common Law () the value of precedent of a decision is determined by what a judge decides indeed in the sentence. More what indeed it is decided, is certain in relation to the case (fattispecie) concrete of the controversy submissive in opinion. In this sense, this Associated one considers that this rule also is valid for our system, even though also is truth that the configuration of the case in our legal system not always is related to concrete facts but to the evaluation in abstract of norms, as it happens in the case of the control of consitutionality of the Law, for example. It, however, does not do that the normative precedent that this Associated externalice, does not have a direct relation with the central question that must be decided because thus it has been put under the Constitutional Court.
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